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The program:
This series is an active approach to
learning and understanding the language of Shakespeare. The
performances and workshops in this series are intended to
break the language barrier for young audiences, develop their
critical and analytical-thinking skills, build self-confidence
and encourage to their ability to communicate ideas and observations
effectively The prolific works of Shakespeare, which students
will continue to encounter throughout their lives, stimulate
thought, and create a common platform from which to discuss
the relevance of many thematic issues with a diverse student
population.
Students
..discover that
Shakespeares themes of sex, love, hate, jealousy, dysfunctional
families and political intrigue are just as relevant today
as when he penned his plays.
The Toronto Star
This popular interactive show is intended
to demystify the language and explore the relevance of Shakespeare
for young audiences. The entertaining performance begins with
a thumbnail sketch of the life and times of Shakespeare, explores
the development of language, the impact of history on contemporary
society and connects thematic scenes to the behavioral psychology
within the study of Shakespeares plays. This presentation
is designed for students to engage with the actors, to discuss
the text and characters of the scenes viewed, and finally,
to challenge them to redirect the scenes by drawing on their
own experiences. The show ensures that students will actually
see Shakespeare performed by professional actors, have the
opportunity to interact in meaningful discussion and synthesize
what they experience.
Maximum number of students:
150
Time: 75
minutes
Available: Upon Request
For booking or more information contact:
Michael Kelly
Shakespeare In Education Office
Tel: (416) 703-4881 Fax (416) 603-9136
mkelly@shakespeareinaction.org

Othello-Hamlet-Macbeth-R&J-Midsummer-TwelfthNight-KingLear!
Attention
English & Drama Departments
"A marvelously creative
program"
.. The
Globe And Mail
Breaking The Language Barrier:
This high energy Hands-On
workshop session is intended to demystify Shakespeare's language
and to excite students beyond the classroom. The focus is
on the action and power of the spoken word. Students will
work in an ensemble, conducted by master teacher, Michael
Kelly, using participatory methods such as, word-play, choral
work, and improvisation to infuse the text with sound, rhythm,
and movement bringing Shakespeare Alive
in the classroom.
Learning Outcomes:
- How to create a scene in class
- How to devise a choral arrangement
- How to employ word-play games with Shakespeare
- How to have fun speaking Shakespeare
- How to improvise with the text
Cost:
- 1.session
$125.00
- 2.sessions
$225.00
- 3 sessions
$300.00
- 4 sessions $375.00
Maximum number of students:
30
Time:
75 minutes
Michael Kelly is Artistic Director
of the internationally acclaimed, Shakespeare In Action theatre
company, Canada's leader in Shakespeare education. Mr. Kelly
is the founding director of the Teaching Shakespeare Summer
Institute at York University, master teacher at Shakespeare's
Globe theatre, London, the Kentucky Shakespeare Festival,
the Stratford Festival, and the National Youth Drama School,
NZ. He has taught acting Shakespeare at George Brown College,
York University, Randolph Academy for The Arts & Equity
Showcase Theatre.
Available: Upon
Request
For booking or more information contact:
Michael Kelly
Shakespeare In Education Office
Tel: (416) 703-4881 Fax (416) 603-9136
mkelly@shakespeareinaction.org
- Classroom Study Guides
- Common Theatre Vocabulary
- Facts about Shakespeare
- Elizabethan England in the Age of
Shakespeare

by Richard Ledderer
If you know that the course of true
love never did run smooth,
Or have ever worn your heart on your sleeve,
Suffered from green-eyed jealousy,
Refused to budge an inch,
Acted more in sorrow than in anger,
Hoped for a plague on both houses,
Knitted your brow,
Been tongue-tied, a tower of strength,
Hoodwinked or in a pickle,
Made a virtue of necessity, insisted on fair play,
Slept not one wink, stood on ceremony,
Danced attendance, laughed yourself into stitches,
Had short shrift, cold comfort,
Or too much a good thing;
Seen better days, recalled your salad days,
Lived in a fool's paradise,
Been eaten out of house and home by your own flesh and blood-
Be that as it may,
As good luck would have it,
You are quoting Shakespeare. And, let me add, if you now bid
me good riddance and send me packing,
If you think I am an eyesore, a laughing stock, the devil
incarnate,
A stony-hearted villain, bloody minded, a strange bedfellow
or a blinking idiot:
If you wish I was dead as a doornail,
Then
By Jove! Oh Lord! Tut Tut! For goodness sake! What the
Dickens!
It is all one to me,
Even if it is Greek to you
If the truth be told,
You are quoting Shakespeare!
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